So for the first time since the site launched, I took a stroll through my own archives and one thing has become self-evident… I sucked when I started this thing. I knew when I first sat down to do this I’d be starting an uphill climb as far as learning how to cartoon this way after doing all of my work digitally the last few years. Since the start of STA, a mere 25 strips a go, almost nothing has stayed the same. So for all of those that may be interested, either as fans, creators, those looking to start or any combination of; here’s what’s changed and what I’ve learned throughout this process.
The Canvas
When I started STA I knew I had to address one of my biggest inconsistencies as an artist, and that’s (as simple as it sounds) drawing straight lines. I’m not lying when I say that the fear of having to draw gutters or things in perspective without the digital crutches I’m used to. In fact, more than anything that was one of the biggest hangups I had to drawing the strip out traditionally. So I chose to go with the comic strip sized 5 x 17 bristol boards that Canson makes. What’s great about these boards is that they have a live content area of roughly 4 x 13 that is blue lined and completely ruled for you. So drawing things like gutters and perspective lines are a breeze. The downside however, is the small content area. If you’re just drawing in that space, that’s not bad, but when you have to fit in dialogue, especially from two or more characters, space really becomes a premium. IE, you end up with two panels that are nothing but small talking heads in the bottom corners of your panels. So what I have started doing is just flipping those damn boards over and drawing on the back. This gives me the full 5 x 17 to draw on which makes a world of difference. In fact, it’s allowing me to flesh out backgrounds and more dynamic character shots, that are really making me fall in love with this process.
The Lettering
Let’s be blunt here… the early lettering in STA is ATROCIOUS. Seriously, it looks like I use my teeth to hold the freaking pen. So how did I finally change it? That would be the miracle of an Ames Guide. For those looking to do their own comics this way, I can’t recommend this tool enough. It costs a few bucks, is simple to use and allows you to incorporate proper comic leading, which makes ALL THE DIFFERENCE. For those that now what I am talking about, I can say that I use the 3.5 setting to set up my guides.
The Inks
Not much has changed here. I can say I switched from Staedtler brand Microns to Sakura Microns as well as a Pentel pocket brush pen. Also, you have likely noticed the addition of grey tones to the comic. I started doing these on sketches I was including in the contest I am currently running to win free art (look at the previous post for more details) but I loved the way they looked so much it became a part of the strip. For those that are curious I use a 20% Cool Grey Faber-Castell Pitt Brush pen.
So there’s the tools and the changes so far in the comic and to be honest, I wouldn’t be shocked if at least some of these changed in a few months.
I do want to say one more thing before I call this a day and post this, and that’s this. For any of you that are on the fence about starting a comic, or those that are currently developing one and waiting until it’s perfect to post… stop waiting and just start. I worked for two months trying to perfect the look of STA so that once I started the strip it would have a very cohesive look… and you see how far that got me. Once people get to see your work and you start to have a level of feedback with people you will notice things, change things and it will become an evolving experience for everyone involved. And I gotta say, from where I stand, that experience has been frickin’ amazing.
-Ryan
So here’s the deal folks. Of course I’m doing this comic because I love it ( and believe me, I am LOVING doing this strip). However, a big part of doing a comic is well, you know, getting some eyeballs to check it out. And that’s where you fine folks comes in; but first, let’s talk about that free stuff I mentioned earlier. I’m thinking once a week I will draw a member of the STA cast on a nice sheet of 8×10 Bristol board, ink that bad boy and mail it off to someone’s happy home.
It’s gonna look something like this:
So now down to the logistics of it all, or rather, how to enter. It’s pretty simple really, just help me share the comic. Share a link to any comic on any social networking site (FB, Twitter, Google + etc…) and that counts as an entry. If you simply like (or +1) a comic post, that also counts. If you have a blog and are willing to do a quick write up, I’ll give you 2 for that and lastly if you become a fan of the Facebook page, I’ll give you 2 entries for that as well. Lastly, if it just so happens that you are a fellow comic artist and you win, then I will be sure to include a link it to your work for that weeks’ blog post.
The only real rules are this:
1)You can only win once a month
2) International entries are OK, just expect slow shipping times
3) Winners agree to let me use their name in a blog post as I announce the winners for that week.
4) And lastly, this is all about having some fun and trying to give something back to anyone that helps me promote my work. Please keep that in mind while sharing the strip. (IE “I’m sharing this garbage to get something to hock on Ebay later, seriously, don’t click on this link LOL” isn’t going to count as an entry.)
It’s pretty simple stuff and I hope we can all have a little fun with it. Oh! And one more thing before I forget. I will be enabling commenting on the STA site shortly, and of course any comment on the site will also count as an entry.
-Ryan
Man does the time ever fly and all that jazz. It dawned on me yesterday when I was drawing that it’s already been a month since I launched this comic. Truthfully, that is incredibly hard to believe. The whole experience has been a blur. So what are my thoughts looking back on the first month of this comic? “Jesus I have a ton to learn” about sums it up. The biggest thing I know that I need to improve is lettering my comics. I knew it was going to be a challenge going in to this, I mean, my handwriting was never stellar to begin with. But MAN are some of those early strips tough to read (sorry about that folks.)
For a brief moment I thought about going in and fixing those digitally but I think it will be cool to see the strips progress when I look back at these strips in say, a year or two. So I’ll leave ‘em. Plus, in a way, you all have front row seats to watch me learn how to fulfill a lifelong dream of mine. That of course being, have a newspaper style comic strip.
Aside from the creations of the strip I do have to say, the kind words many of you have passed my way have been incredible! Whether it was at Emerald City, or though Twitter, Facebook, Google+, etc. Although I would do this even if there was no one looking, it sure helps to know that you all are checking it out and enjoying what you are seeing.
So looking ahead a bit. There will be a store on the site soon. It’s mostly going to be a vehicle for buying any of the originals but I will be putting up all of the prints that were for sale at Emerald City as well. Also I plan on doing some free wallpapers, redesigning the website background and of course drawing several more strips!
Thanks to all of you that have come to check this strip out in it’s infancy. Hopefully I will be creating “STA” for several years to come.
-Ryan
So a quick bit of back story before I start this blog post. I was clicking around the internet this morning when I stumbled on a cartoonists blog that I don’t really follow regularly. On it he had made a post naming off the biggest “jerks” (he went with a different name but I am trying to keep this site PG and all) in comics. While there are a few names on that list that more then deserve it, I couldn’t help but feel sad when I read it. After all this is a fellow cartoonist bashing on several other cartoonists and comic creators alike. Now again, some of them do have the reps that deserve that kind of treatment, I couldn’t help but think of all of the awesome people I got to talk to at Emerald City, as well as the folks I have spent the better part of two years getting to know online…
And thus the “Awesomest of the Awesome” list is born. I posted on Facebook, Google + and Twitter asking people who the nicest people in all of comics are based on their interactions with them and this is the list that was generated. I’ll link to their work as much as I can, because honestly, these great folks could always use more fans. So without any further adieu, here’s the list:
and SEVERAL more but honestly, I’m thinking having this many links leading away from my site will kill any SEO I’ve established, so it’s best if I just stop here. What this goes to show you is that yes, there are some jerks out there, but there are FAR MANY awesome folks out there that love to engage with their fans, interact with their peers and help those looking to break in. People like everyone up on that list are why I am so proud to call myself a cartoonist.
-Ryan-
My god I can’t believe this whirl wind of a weekend is behind me, but it is. ECCC was an amazing show and I can’t say enough about how well Jim and George put this shin-dig on every year. Between their efforts and the incredible group of volunteers, this show is a pleasure to be an artist at. Also I gotta give everyone that came by to say hi, hear the pitch or buy some of my goodies a GIANT Thank you! I thought last years show was fantastic but this experience just blew that out of the water.
Business was good but best of all, I got a chance to finally spread the word about this new project of mine, which I am incredibly excited about. I got a lot of laughs from the pitch as well as off of the prints I was selling, and in the end, that’s what it’s all about.
For all of those that are checking this site out for the first time (many of you are probably doing so based on Emerald City itself) I want to take a second to plug the STA facebook page. This site doesn’t have a place to comment on posts but that doesn’t mean I don’t love talking to you all. In fact, it kinda makes my day and all that. Aside from my twitter account, facebook is probably the best place to do that. Plus I will be posting behind the scenes stuff for this comic as well as coupons (once the store is up) over there. If this is the kind of awesome you are into then take a sec to bounce over there and like it already! http://www.facebook.com/stacomic
I was fortunate enough to be tabled next to the insanely talented Adam WarRock himself ( http://www.adamwarrock.com/ ) who has to be one of the nicest, coolest people I’ve ever had the pleasure to hang out with. I also want to give a special thank you to my friend, Chris for taking the time to hang out with me behind the table for a bit on Saturday and who drew me this incredibly awesome sketch or Erika. For those of you who don’t already know, before Sometime After I did a little strip called Gin and Comics that was a ton of fun. Erika was one of the main characters from that cartoon.
Like always, I didn’t think to take many pictures, here are the ones we did manage to get. Once again, ECCC was a blast and now I have to wait until Jet City before I can do all of this again. September sure seems like a LONG way away right now…
BTW Wes, this link is for you man: http://www.instructables.com/id/Homemade-Cadbury-Creme-Eggs/














